Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who
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