<p style="text-wrap: wrap;"> In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.<p style="text-wrap: wrap;"> But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).<p style="text-wrap: wrap;"> In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.<p style="text-wrap: wrap;"> imdb comment<br/><p style="text-wrap: wrap;"> 译文(3): 在这部60年代末的不敬、几乎无政府的低成本电影中，布莱恩·德·帕尔马更多地定义了他对偷窥癖的奇怪、希区柯克式的迷恋，并抨击了当今的问题。其中最突出的一点，既令人尴尬，也很有趣，是当他关注黑人权力运动时（一名黑人妇女分发传单，问白人“你知道黑人是什么感觉吗”），这是一种只能在那个时间和地点有效的东西，而不是以前或现在。<br/>
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